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Collection: Critical Analysis
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White Suffering and the Branded Hand
This essay analyzes the social and racial significance of an unusual mid-nineteenth-century daguerreotype of a white abolitionist’s branded hand.
Mr. Hunnewell’s Black Hands: Agassiz and the “Mixed Races” of Manaus
“Pure Race” Africans and Ethnic Diversity in Nineteenth-Century Rio de Janeiro
Nineteenth-Century Scientific Travel and Racial Photography: The Formation of Louis Agassiz’s Brazilian Collection
Three Essays on Louis Agassiz in Brazil
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