<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/281">
    <dcterms:title><![CDATA[Louis Agassiz: Full Face and Profile]]></dcterms:title>
    <dcterms:subject><![CDATA[Louis Agassiz: Full Face and Profile]]></dcterms:subject>
    <dcterms:description><![CDATA[A bio­graph­i­cal approach to pho­tographs of slaves, con­sid­er­ing the images in rela­tion to the per­sonal and pro­fes­sional atti­tudes of the nat­u­ral­ist who com­mis­sioned them.]]></dcterms:description>
    <dcterms:creator><![CDATA[Molly Rogers]]></dcterms:creator>
    <dcterms:date><![CDATA[January 18, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/282">
    <dcterms:title><![CDATA[Black Civil War Portraiture in Context]]></dcterms:title>
    <dcterms:description><![CDATA[An inves­ti­ga­tion into the kinds of mean­ings that pho­to­graphic por­traits of black Civil War sol­diers had at the time of their mak­ing as well as some of the chal­lenges that such a recov­ery poses for his­to­ri­ans today.]]></dcterms:description>
    <dcterms:creator><![CDATA[Erina Duganne]]></dcterms:creator>
    <dcterms:date><![CDATA[April 5, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/283">
    <dcterms:title><![CDATA[Work and the Poetry of Sterling Brown: Reclaiming Forced Labor]]></dcterms:title>
    <dcterms:subject><![CDATA[Work and the Poetry of Sterling Brown: Reclaiming Forced Labor]]></dcterms:subject>
    <dcterms:description><![CDATA[Juxtaposing an 1850 daguerreotype portrait of a slave, a painting by Jean-François Millet, a photograph by Lewis Hine, and a poem by Sterling Brown, this essay seeks to understand how, and under what conditions, even forced labor may be reclaimed and commemorated in works of art.]]></dcterms:description>
    <dcterms:creator><![CDATA[Anita Patterson]]></dcterms:creator>
    <dcterms:date><![CDATA[December 28, 2013]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/284">
    <dcterms:title><![CDATA[On Seeing and Writing Together: An introduction to a multimedia, collaborative writing project]]></dcterms:title>
    <dcterms:subject><![CDATA[On Seeing and Writing Together: An introduction to a multimedia, collaborative writing project]]></dcterms:subject>
    <dcterms:description><![CDATA[This col­lab­o­ra­tive essay by a pro­fes­sor and her stu­dents in a col­lege writ­ing course demon­strates how the images in the Mir­ror of Race exhi­bi­tion may be used to teach research and reflec­tion on the mean­ing of race in Amer­i­can his­tory and culture.]]></dcterms:description>
    <dcterms:creator><![CDATA[Dominique Zino]]></dcterms:creator>
    <dcterms:date><![CDATA[April 18, 2013]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/285">
    <dcterms:title><![CDATA[As White as Their Masters: Visualizing the Color Line]]></dcterms:title>
    <dcterms:subject><![CDATA[As White as Their Masters: Visualizing the Color Line]]></dcterms:subject>
    <dcterms:description><![CDATA[A dis­cus­sion of the ambi­gu­ity of the color line in nineteenth-cen­tury visual rep­re­sen­ta­tions of race.]]></dcterms:description>
    <dcterms:creator><![CDATA[Carol Goodman]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/286">
    <dcterms:title><![CDATA[A Freakish Whiteness: The Circassian Lady and the Caucasian Fantasy]]></dcterms:title>
    <dcterms:subject><![CDATA[A Freakish Whiteness: The Circassian Lady and the Caucasian Fantasy]]></dcterms:subject>
    <dcterms:description><![CDATA[What is the mean­ing of mid-nineteenth-cen­tury por­traits of white women with strange names, exotic cos­tumes, and wildly frizzed hair?]]></dcterms:description>
    <dcterms:creator><![CDATA[Gregory Fried]]></dcterms:creator>
    <dcterms:date><![CDATA[March 15, 2013]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/287">
    <dcterms:title><![CDATA[White Suffering and the Branded Hand]]></dcterms:title>
    <dcterms:subject><![CDATA[White Suffering and the Branded Hand]]></dcterms:subject>
    <dcterms:description><![CDATA[This essay ana­lyzes the social and racial sig­nif­i­cance of an unusual mid-nineteenth-century daguerreo­type of a white abolitionist’s branded hand.]]></dcterms:description>
    <dcterms:creator><![CDATA[Martin A. Berger]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/288">
    <dcterms:title><![CDATA[Mr. Hunnewell’s Black Hands: Agassiz and the “Mixed Races” of Manaus]]></dcterms:title>
    <dcterms:subject><![CDATA[Mr. Hunnewell’s Black Hands: Agassiz and the “Mixed Races” of Manaus]]></dcterms:subject>
    <dcterms:creator><![CDATA[John M. Monteiro]]></dcterms:creator>
    <dcterms:date><![CDATA[May 8, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/289">
    <dcterms:title><![CDATA[“Pure Race” Africans and Ethnic Diversity in Nineteenth-Century Rio de Janeiro]]></dcterms:title>
    <dcterms:subject><![CDATA[“Pure Race” Africans and Ethnic Diversity in Nineteenth-Century Rio de Janeiro]]></dcterms:subject>
    <dcterms:creator><![CDATA[Flavio dos Santos Gomes]]></dcterms:creator>
    <dcterms:date><![CDATA[May 8, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/290">
    <dcterms:title><![CDATA[Nineteenth-Century Scientific Travel and Racial Photography: The Formation of Louis Agassiz’s Brazilian Collection]]></dcterms:title>
    <dcterms:subject><![CDATA[Nineteenth-Century Scientific Travel and Racial Photography: The Formation of Louis Agassiz’s Brazilian Collection]]></dcterms:subject>
    <dcterms:creator><![CDATA[Maria Helena P. T. Machado]]></dcterms:creator>
</rdf:Description></rdf:RDF>