<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/238">
    <dcterms:title><![CDATA[Two Young Women]]></dcterms:title>
    <dcterms:subject><![CDATA[Unknown]]></dcterms:subject>
    <dcterms:creator><![CDATA[John Jabez Edwin Mayall (American, 1810-1901)]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1846]]></dcterms:date>
    <dcterms:type><![CDATA[Portrait]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure004]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Gregory Fried Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/247">
    <dcterms:title><![CDATA[Union infantryman]]></dcterms:title>
    <dcterms:subject><![CDATA[unknown]]></dcterms:subject>
    <dcterms:creator><![CDATA[Unknown Photographer Photographer]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1863]]></dcterms:date>
    <dcterms:type><![CDATA[studio portrait, military occupational]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure016]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Greg French Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/127">
    <dcterms:title><![CDATA[Union soldier]]></dcterms:title>
    <dcterms:subject><![CDATA[Union soldier]]></dcterms:subject>
    <dcterms:creator><![CDATA[Unknown Photographer Photographer photographer]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1863]]></dcterms:date>
    <dcterms:type><![CDATA[Studio Portrait]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure 4]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Greg French Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/141">
    <dcterms:title><![CDATA[White and Black Slaves]]></dcterms:title>
    <dcterms:subject><![CDATA[White and Black Slaves]]></dcterms:subject>
    <dcterms:creator><![CDATA[Myron H. Kimball (New York)]]></dcterms:creator>
    <dcterms:date><![CDATA[1863]]></dcterms:date>
    <dcterms:type><![CDATA[Studio Portrait]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure 2]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Greg French Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/287">
    <dcterms:title><![CDATA[White Suffering and the Branded Hand]]></dcterms:title>
    <dcterms:subject><![CDATA[White Suffering and the Branded Hand]]></dcterms:subject>
    <dcterms:description><![CDATA[This essay ana­lyzes the social and racial sig­nif­i­cance of an unusual mid-nineteenth-century daguerreo­type of a white abolitionist’s branded hand.]]></dcterms:description>
    <dcterms:creator><![CDATA[Martin A. Berger]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/128">
    <dcterms:title><![CDATA[Wilson Chinn]]></dcterms:title>
    <dcterms:subject><![CDATA[Wilson Chinn, a branded slave from Louisiana]]></dcterms:subject>
    <dcterms:creator><![CDATA[Myron H. Kimball (New York)]]></dcterms:creator>
    <dcterms:date><![CDATA[1863]]></dcterms:date>
    <dcterms:type><![CDATA[Studio Portrait]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure 3]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Greg French Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/259">
    <dcterms:title><![CDATA[Wilson Chinn]]></dcterms:title>
    <dcterms:subject><![CDATA[Wilson Chinn]]></dcterms:subject>
    <dcterms:creator><![CDATA[Kimball (dates Unknown Photographer Photographer)]]></dcterms:creator>
    <dcterms:date><![CDATA[1863]]></dcterms:date>
    <dcterms:type><![CDATA[studio portrait, social-political]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure033]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Greg French Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/142">
    <dcterms:title><![CDATA[Wilson Chinn, a branded slave from Louisiana]]></dcterms:title>
    <dcterms:subject><![CDATA[Wilson Chinn, a branded slave from Louisiana]]></dcterms:subject>
    <dcterms:creator><![CDATA[Myron H. Kimball (New York)]]></dcterms:creator>
    <dcterms:date><![CDATA[1863]]></dcterms:date>
    <dcterms:type><![CDATA[Studio Portrait]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure 3]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Greg French Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/274">
    <dcterms:title><![CDATA[woman holding book]]></dcterms:title>
    <dcterms:subject><![CDATA[unknown]]></dcterms:subject>
    <dcterms:creator><![CDATA[Unknown Photographer]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1850-1855]]></dcterms:date>
    <dcterms:type><![CDATA[studio portrait]]></dcterms:type>
    <dcterms:identifier><![CDATA[Figure094]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Gregory Fried Collection]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/283">
    <dcterms:title><![CDATA[Work and the Poetry of Sterling Brown: Reclaiming Forced Labor]]></dcterms:title>
    <dcterms:subject><![CDATA[Work and the Poetry of Sterling Brown: Reclaiming Forced Labor]]></dcterms:subject>
    <dcterms:description><![CDATA[Juxtaposing an 1850 daguerreotype portrait of a slave, a painting by Jean-François Millet, a photograph by Lewis Hine, and a poem by Sterling Brown, this essay seeks to understand how, and under what conditions, even forced labor may be reclaimed and commemorated in works of art.]]></dcterms:description>
    <dcterms:creator><![CDATA[Anita Patterson]]></dcterms:creator>
    <dcterms:date><![CDATA[December 28, 2013]]></dcterms:date>
</rdf:Description></rdf:RDF>