<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/289">
    <dcterms:title><![CDATA[“Pure Race” Africans and Ethnic Diversity in Nineteenth-Century Rio de Janeiro]]></dcterms:title>
    <dcterms:subject><![CDATA[“Pure Race” Africans and Ethnic Diversity in Nineteenth-Century Rio de Janeiro]]></dcterms:subject>
    <dcterms:creator><![CDATA[Flavio dos Santos Gomes]]></dcterms:creator>
    <dcterms:date><![CDATA[May 8, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/124">
    <dcterms:title><![CDATA[“True Pictures”: Frederick Douglass on the Promise of Photography]]></dcterms:title>
    <dcterms:creator><![CDATA[Gregory Fried]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/286">
    <dcterms:title><![CDATA[A Freakish Whiteness: The Circassian Lady and the Caucasian Fantasy]]></dcterms:title>
    <dcterms:subject><![CDATA[A Freakish Whiteness: The Circassian Lady and the Caucasian Fantasy]]></dcterms:subject>
    <dcterms:description><![CDATA[What is the mean­ing of mid-nineteenth-cen­tury por­traits of white women with strange names, exotic cos­tumes, and wildly frizzed hair?]]></dcterms:description>
    <dcterms:creator><![CDATA[Gregory Fried]]></dcterms:creator>
    <dcterms:date><![CDATA[March 15, 2013]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/278">
    <dcterms:title><![CDATA[A Spirit Photograph]]></dcterms:title>
    <dcterms:description><![CDATA[An analy­sis of a “spirit pho­to­graph,” a form of pho­tog­ra­phy thought to bridge this world and the next.]]></dcterms:description>
    <dcterms:creator><![CDATA[Shawn Michelle Smith]]></dcterms:creator>
    <dcterms:date><![CDATA[December 17, 2011]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/279">
    <dcterms:title><![CDATA[A White Slave Girl: “Mulatto Raised by Charles Sumner”]]></dcterms:title>
    <dcterms:subject><![CDATA[A White Slave Girl: “Mulatto Raised by Charles Sumner”]]></dcterms:subject>
    <dcterms:description><![CDATA[A nar­ra­tive of dis­cov­ery about one of the first pho­tographs used to pro­mote the abo­li­tion­ist cause.]]></dcterms:description>
    <dcterms:abstract><![CDATA[A nar­ra­tive of dis­cov­ery about one of the first pho­tographs used to pro­mote the abo­li­tion­ist cause.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Joan Gage]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/285">
    <dcterms:title><![CDATA[As White as Their Masters: Visualizing the Color Line]]></dcterms:title>
    <dcterms:subject><![CDATA[As White as Their Masters: Visualizing the Color Line]]></dcterms:subject>
    <dcterms:description><![CDATA[A dis­cus­sion of the ambi­gu­ity of the color line in nineteenth-cen­tury visual rep­re­sen­ta­tions of race.]]></dcterms:description>
    <dcterms:creator><![CDATA[Carol Goodman]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/282">
    <dcterms:title><![CDATA[Black Civil War Portraiture in Context]]></dcterms:title>
    <dcterms:description><![CDATA[An inves­ti­ga­tion into the kinds of mean­ings that pho­to­graphic por­traits of black Civil War sol­diers had at the time of their mak­ing as well as some of the chal­lenges that such a recov­ery poses for his­to­ri­ans today.]]></dcterms:description>
    <dcterms:creator><![CDATA[Erina Duganne]]></dcterms:creator>
    <dcterms:date><![CDATA[April 5, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/280">
    <dcterms:title><![CDATA[Fair Women and Transformed into Negresses]]></dcterms:title>
    <dcterms:description><![CDATA[A med­i­ta­tion on writ­ing about oppressed indi­vid­u­als pho­tographed for sci­en­tific pur­poses, and whether it is pos­si­ble to lib­er­ate such peo­ple through an act of imagination.]]></dcterms:description>
    <dcterms:creator><![CDATA[Molly Rogers]]></dcterms:creator>
    <dcterms:date><![CDATA[January 18, 2012]]></dcterms:date>
    <dcterms:type><![CDATA[Essay]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/281">
    <dcterms:title><![CDATA[Louis Agassiz: Full Face and Profile]]></dcterms:title>
    <dcterms:subject><![CDATA[Louis Agassiz: Full Face and Profile]]></dcterms:subject>
    <dcterms:description><![CDATA[A bio­graph­i­cal approach to pho­tographs of slaves, con­sid­er­ing the images in rela­tion to the per­sonal and pro­fes­sional atti­tudes of the nat­u­ral­ist who com­mis­sioned them.]]></dcterms:description>
    <dcterms:creator><![CDATA[Molly Rogers]]></dcterms:creator>
    <dcterms:date><![CDATA[January 18, 2012]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://mirrorofrace.bc.edu/items/show/288">
    <dcterms:title><![CDATA[Mr. Hunnewell’s Black Hands: Agassiz and the “Mixed Races” of Manaus]]></dcterms:title>
    <dcterms:subject><![CDATA[Mr. Hunnewell’s Black Hands: Agassiz and the “Mixed Races” of Manaus]]></dcterms:subject>
    <dcterms:creator><![CDATA[John M. Monteiro]]></dcterms:creator>
    <dcterms:date><![CDATA[May 8, 2012]]></dcterms:date>
</rdf:Description></rdf:RDF>